"Footloose" in 1984 and the rebellious rock music, with "Flashdance," defined a generation, but without energy redirected to a demographic group. The Sony Walkman was memorable Kevin Bacon in the original has been replaced by - what else? - An iPod, and the nature of authority-fi, Ren McCormack, and not beer or cigarettes involved strange. However, the occasional Nip Tuck and yet the director Craig Brewer has provided much of the fax note perfect score by Herbert Ross ode to adolescent rebellion, young love and the joy of freedom of movement.
In fact, Brewer, who is best known as the sand of pulp, "Hustle and Flow" and "Black Snake Moan", manages to inject his own brand of realism and toughness in "Footloose is a" just-in-Hollywood structure, open to life happy movie, but also an introduction which explains why serious in the southern city of Bomonti imposed a curfew and banned public dancing and loud music. This law aims to Reverend Shaw Moore (Dennis Quaid), in his speech that the film is much less credit fueled the fire and brimstone, such as pain and anger of the bereaved father.
When McCormack streets - in this game the former backup dancer for Justin Timberlake Kenny Wormald - Bomonti blows in Boston, he immediately bristled protection. He is also remembered Moore's daughter Ariel (Julianne Hough), the bad girl the city, which is to keep the company running machine-nerd (John Patrick Flueger).
Ariel always wear cowboy boots in red "Footloose," which contains the numbers of the original classical music, including Ren is "angry dance" performed by Wormald with athletics muscle of a gymnast, and a mounting assembly of Deniece Williams Let's hear it for the boy, where "the best friend of Ren, Willard, learn to go with his bad self. Originally played by Chris Penn, Willard is here played by Miles Teller, seen in late last year, "Rabbit Hole" drama that delivers a real performance in small groups that wacky film, good ol'-boy source comical.
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"Dancing With the Stars" alum Hough done a commendable job playing the troubled Ariel, though for another innocent line dancing scene, she does not seem a stripper pole and a few dollars in his belt.
But too often, Brewer made the choice of the movie frustrating for dancers from the waist down, cutting frequently to dance numbers just look forward and not sink.
However, his respect for his source material corresponds with respect to their characters, which are not described as rude Red State, but always gave understandable reasons, and by extension, of their dignity.
What's more, Brewer has brought a new level of racial integration, "Footloose," a lot of credibility when the palette Bomonti population, and the updating of the soundtrack is a mix of blues, Blake Shelton and Cee Lo Green.
"Footloose" never need to be dragged into the twenty-first century, but Brewer has the look and sound just like the real world.
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