As a transplant from Boston, being a teenager Ren MacCormack (Kenny Wormald) a large dose of culture shock as it moves to a small southern town called Bomont. A few years before a fatal accident by five young local councilors and led a beloved priest (Dennis Quaid) to issue decrees against loud music and dance. Pure - never one to do - a ban on challenges, simultaneously reviving Bomont and love with the girl's troubled priest (Julianne Hough).
"Footloose" in 1984 and the rebellious rock music, with "Flashdance," defined a generation, but without energy redirected to a demographic group. The Sony Walkman was memorable Kevin Bacon in the original has been replaced by - what else? - An iPod, and the nature of authority-fi, Ren McCormack, and not beer or cigarettes involved strange. However, the occasional Nip Tuck and yet the director Craig Brewer has provided much of the fax note perfect score by Herbert Ross ode to adolescent rebellion, young love and the joy of freedom of movement.
In fact, Brewer, best known for grain pasta as "Hustle and Flow" and "Black Snake Moan" manages to inject his own brand of realism and toughness in the "Footloose" structure of just-in-Hollywood the premiere of the movie with a lush, but also instructive that the preamble explains why the southern city of Bomont introduced a curfew and banned public dancing and music blaring. This bill was proposed by Rev. Shaw Moore (Dennis Quaid), in a speech to the credit of the film is fed less by fire and brimstone, such as pain and anger of a father who suffers.
When McCormack Streetwise - here played by backup dancer for Justin Timberlake's ex Kenny Wormald - blowing Bomont Boston, her hair is immediately to the stenosis. Is also drawn to Moore's daughter Ariel (Julianne Hough), the girl who is the city being in the company of a poor peasant stock car racing (John Patrick Flueger).
Ariel always wear cowboy boots in red "Footloose," which contains the numbers of the original classical music, including Ren is "angry dance" performed by Wormald with athletics muscle of a gymnast, and a mounting assembly of Deniece Williams Let's hear it for the boy, where "the best friend of Ren, Willard, learn to go with his bad self. Originally played by Chris Penn, Willard is here played by Miles Teller, seen in late last year, "Rabbit Hole" drama that delivers a real performance in small groups that wacky film, good ol'-boy source comical.
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"Dancing With the Stars" alum Hough done a commendable job of playing Ariel problematic, although innocent, another line dancing scene, which seems to lack a stripper pole and a few dollars to his credit.
But too often chosen to film Brewer exasperating his dancers from the waist, cut so often that the dance numbers just flow and not stress.
Yet, his respect for his source material is compensated by the respect for his characters, who have never described the louts Red State, but always given to understand the motivations and, more generally, of their dignity as human beings.
Moreover, Brewer brought a new level of racial integration "Footloose", which gives a much more credible range Bomont demographic and update the soundtrack with a mixture of blues, Blake Shelton and Cee Lo Green.
"Footloose" has not had to be dragged into the 21st century, but Brewer looks and sounds a little to the real world.
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