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The new "truth Footloose''remake begins. Heavy machinery should never be used as Kenny Loggins sings" All the cut.''You can not die. Some older small Bomonti, Georgia, were Logginsing out driving and ended up dead. That is why, three years later, the children Bomonti still can not dance in public - is the law. But then a guy named Ren McCormick (Kenny Wormald) can be taken off the Greyhound from Boston, and, oh, that accent, that the Pompadour, are illegal moves! Ren says, was a gymnast competitive. Only if the pommel horse title Charlestown club.

The film, directed by Craig Brewer, paddles Wormald between shots that seem stolen, but with love, from the original, as in 1984, did Kevin Bacon, John Travolta in the whole hollow and tractors. Brewer directs with a kind of regionalism damp, specializes in Southern dirtiest - "Hustle & Flow''og bold below sexorcism seen," Black Snake Moan,''is his. It's clean here, but the way girls "Footloose''drop-pop-and-lock (and spray paint) which rated PG-13 R is transformed into a sheet to restore chaperone Nacho Tray.

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Watch Pastor Dennis Quaid evil pleasures of the body rocking, Brewer thinks he inherited a sense of sin in his first two films to see the original version here. Also his regionalism favors that sounds like a cast of his film is derived. So you get some attention from the actors believable as a charismatic young Ziah Colon, Miles Teller, who pockets the film Ren lanky new best friend, John and Patrick Flueger, because the stock-car drivers, who feel so angry I can not be Ren, who takes sexual frustration of Ariel (Julianne Hough), daughter of a shepherd, who is one of Randy Brewer, like women in all the movies. If this was 1950-something - and sometimes I'm not convinced that it is not - Dorothy Malone would bring all his strength to play this psycho-sexual role. But because there is nothing in these signs and, therefore, until it is hysterical (as Malone), Hough has a lot of acting, its sashaying and the courage to get worse.