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As a transplant from Boston, being a teenager Ren MacCormack (Kenny Wormald) a large dose of culture shock as it moves to a small southern town called Bomont. A few years before a fatal accident by five young local councilors and led a beloved priest (Dennis Quaid) to issue decrees against loud music and dance. Pure - never one to do - a ban on challenges, simultaneously reviving Bomont and love with the girl's troubled priest (Julianne Hough).

"Footloose" in 1984 and the rebellious rock music, with "Flashdance," defined a generation, but without energy redirected to a demographic group. The Sony Walkman was memorable Kevin Bacon in the original has been replaced by - what else? - An iPod, and the nature of authority-fi, Ren McCormack, and not beer or cigarettes involved strange. However, the occasional Nip Tuck and yet the director Craig Brewer has provided much of the fax note perfect score by Herbert Ross ode to adolescent rebellion, young love and the joy of freedom of movement.

In fact, Brewer, best known for grain pasta as "Hustle and Flow" and "Black Snake Moan" manages to inject his own brand of realism and toughness in the "Footloose" structure of just-in-Hollywood the premiere of the movie with a lush, but also instructive that the preamble explains why the southern city of Bomont introduced a curfew and banned public dancing and music blaring. This bill was proposed by Rev. Shaw Moore (Dennis Quaid), in a speech to the credit of the film is fed less by fire and brimstone, such as pain and anger of a father who suffers.

When McCormack Streetwise - here played by backup dancer for Justin Timberlake's ex Kenny Wormald - blowing Bomont Boston, her hair is immediately to the stenosis. Is also drawn to Moore's daughter Ariel (Julianne Hough), the girl who is the city being in the company of a poor peasant stock car racing (John Patrick Flueger).

Ariel always wear cowboy boots in red "Footloose," which contains the numbers of the original classical music, including Ren is "angry dance" performed by Wormald with athletics muscle of a gymnast, and a mounting assembly of Deniece Williams Let's hear it for the boy, where "the best friend of Ren, Willard, learn to go with his bad self. Originally played by Chris Penn, Willard is here played by Miles Teller, seen in late last year, "Rabbit Hole" drama that delivers a real performance in small groups that wacky film, good ol'-boy source comical.

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"Dancing With the Stars" alum Hough done a commendable job of playing Ariel problematic, although innocent, another line dancing scene, which seems to lack a stripper pole and a few dollars to his credit.

But too often chosen to film Brewer exasperating his dancers from the waist, cut so often that the dance numbers just flow and not stress.

Yet, his respect for his source material is compensated by the respect for his characters, who have never described the louts Red State, but always given to understand the motivations and, more generally, of their dignity as human beings.

Moreover, Brewer brought a new level of racial integration "Footloose", which gives a much more credible range Bomont demographic and update the soundtrack with a mixture of blues, Blake Shelton and Cee Lo Green.

"Footloose" has not had to be dragged into the 21st century, but Brewer looks and sounds a little to the real world.

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"Footloose" in 1984 and the rebellious rock music, with "Flashdance," defined a generation, but without energy redirected to a demographic group. The Sony Walkman was memorable Kevin Bacon in the original has been replaced by - what else? - An iPod, and the nature of authority-fi, Ren McCormack, and not beer or cigarettes involved strange. However, the occasional Nip Tuck and yet the director Craig Brewer has provided much of the fax note perfect score by Herbert Ross ode to adolescent rebellion, young love and the joy of freedom of movement.

In fact, Brewer, who is best known as the sand of pulp, "Hustle and Flow" and "Black Snake Moan", manages to inject his own brand of realism and toughness in "Footloose is a" just-in-Hollywood structure, open to life happy movie, but also an introduction which explains why serious in the southern city of Bomonti imposed a curfew and banned public dancing and loud music. This law aims to Reverend Shaw Moore (Dennis Quaid), in his speech that the film is much less credit fueled the fire and brimstone, such as pain and anger of the bereaved father.

When McCormack streets - in this game the former backup dancer for Justin Timberlake Kenny Wormald - Bomonti blows in Boston, he immediately bristled protection. He is also remembered Moore's daughter Ariel (Julianne Hough), the bad girl the city, which is to keep the company running machine-nerd (John Patrick Flueger).

Ariel always wear cowboy boots in red "Footloose," which contains the numbers of the original classical music, including Ren is "angry dance" performed by Wormald with athletics muscle of a gymnast, and a mounting assembly of Deniece Williams Let's hear it for the boy, where "the best friend of Ren, Willard, learn to go with his bad self. Originally played by Chris Penn, Willard is here played by Miles Teller, seen in late last year, "Rabbit Hole" drama that delivers a real performance in small groups that wacky film, good ol'-boy source comical.

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"Dancing With the Stars" alum Hough done a commendable job playing the troubled Ariel, though for another innocent line dancing scene, she does not seem a stripper pole and a few dollars in his belt.

But too often, Brewer made the choice of the movie frustrating for dancers from the waist down, cutting frequently to dance numbers just look forward and not sink.

However, his respect for his source material corresponds with respect to their characters, which are not described as rude Red State, but always gave understandable reasons, and by extension, of their dignity.

What's more, Brewer has brought a new level of racial integration, "Footloose," a lot of credibility when the palette Bomonti population, and the updating of the soundtrack is a mix of blues, Blake Shelton and Cee Lo Green.

"Footloose" never need to be dragged into the twenty-first century, but Brewer has the look and sound just like the real world.

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The new "truth Footloose''remake begins. Heavy machinery should never be used as Kenny Loggins sings" All the cut.''You can not die. Some older small Bomonti, Georgia, were Logginsing out driving and ended up dead. That is why, three years later, the children Bomonti still can not dance in public - is the law. But then a guy named Ren McCormick (Kenny Wormald) can be taken off the Greyhound from Boston, and, oh, that accent, that the Pompadour, are illegal moves! Ren says, was a gymnast competitive. Only if the pommel horse title Charlestown club.

The film, directed by Craig Brewer, paddles Wormald between shots that seem stolen, but with love, from the original, as in 1984, did Kevin Bacon, John Travolta in the whole hollow and tractors. Brewer directs with a kind of regionalism damp, specializes in Southern dirtiest - "Hustle & Flow''og bold below sexorcism seen," Black Snake Moan,''is his. It's clean here, but the way girls "Footloose''drop-pop-and-lock (and spray paint) which rated PG-13 R is transformed into a sheet to restore chaperone Nacho Tray.

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Watch Pastor Dennis Quaid evil pleasures of the body rocking, Brewer thinks he inherited a sense of sin in his first two films to see the original version here. Also his regionalism favors that sounds like a cast of his film is derived. So you get some attention from the actors believable as a charismatic young Ziah Colon, Miles Teller, who pockets the film Ren lanky new best friend, John and Patrick Flueger, because the stock-car drivers, who feel so angry I can not be Ren, who takes sexual frustration of Ariel (Julianne Hough), daughter of a shepherd, who is one of Randy Brewer, like women in all the movies. If this was 1950-something - and sometimes I'm not convinced that it is not - Dorothy Malone would bring all his strength to play this psycho-sexual role. But because there is nothing in these signs and, therefore, until it is hysterical (as Malone), Hough has a lot of acting, its sashaying and the courage to get worse.

Kenny Wormald Footloose

"Footloose" star Kenny Wormald sidled up to his computer, hit play on the trailer for his remake of the classic 1984 flick and quickly realized he'd made a big blunder.

"I watched it alone in my house, and that was a mistake, because I thought I was going to scream!" the dancer-turned-actor told MTV News. "I was blown away."

By now, though the 26-year-old has had time to settle down, he's no less pumped about the film, which hits theaters on October 14 and which he calls "all new, but it also pays homage to the original." To celebrate our debut of the trailer, Wormald gave us a call and revealed some secrets behind the new footage.

Backflips and Angry Dances

The most iconic scene in the original flick features a young Kevin Bacon going wild in a warehouse, dancing and flipping like he's trying to win an Olympic gold medal in gymnastics. The new movie, as the trailer hints, re-creates that scene. Wormald himself busted out the great majority of those moves but had to make way for the experts from time to time.

"We called it the angry dance," he explained. "There's some crazy stuff going on in that scene — some gymnastic stuff that is a little bit from the original and they wouldn't let me do some of it. It's just when it comes to the death-defying stunts — flips and stuff — that's not me. They were like, 'I don't think so. Sit down, Kenny!' "

Wormald again had to step away from the cameras when it came to a perilous backflip seen early in the trailer. "All of the dancing is me," he said. "But that flip isn't me — but don't tell anyone!"

The Exploding Bus

Late in the trailer, we get a glimpse of Wormald racing a bus, followed quickly by a gnarly explosion. Turns out, that scene is an action-movie tweak to the original's tractor chicken race.

"They made it really climactic," Wormald said of the original scene. "But if you think about it, tractors only go five miles per hour. So I think [director] Craig Brewer wanted a more badass version of the chicken race."

The Boston Accent

Bacon's character hails from Chicago — a northern boy who moves into a southern town and brings an urge to boogie with him. But from the minute Wormald opens his mouth in the new trailer, we can tell he's not from Chicago. Instead, he speaks with a thick accent, one not originally part of the script but which the Boston-born actor introduced to the project.

"They went into casting thinking it would be the same [as the original]. But when I went in there, I wanted to be different than the other guys. I knew it was a kid from up north going down south, so I made a decision to use my Boston accent in the audition," Wormald told us. "As I kept getting closer and closer to booking it, they never said don't use the accent. And then I booked it and they said, 'We're going to change it from Chicago to Boston.' They dug it."

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The main purpose of I have nothing. , I did not think to see the day where I really try between the idol Zac Efron-), because of his snake hips really gives me the creeps, instead of sending me to oestragen-driven frenzy of madness, and B) because eyebrows moving at a speed of 50knots Fri chassis that is both disturbing and reckless action technique. Mr. Efron was ready to slip into some cowboy boots and kick some 'dust Bomonti, then abandoned. Chace Crawford stepped up to the mark, then abandoned. I'm not even a fan of the squinty-eyed doll Ken Crawford, but the two hours of Kenny Wormald as Ren McCormack, I salivated over by Efron, OR Crawford grateful joy.

For those of you who are not fans of the dance film, Kenny Ortega was the mastermind of the director of This Is It and High School Musical franchise. Certainly not the best movies ever made, but just the ticket for a remake of Footloose, right? Apparently not. Craig Brewer have in place. Famous for ... Black Snake Moan eh,. Well how was your experience as relevant to re-create a dance film most beloved of all time, I'm not sure. After seeing her dance debut in the movies, I stay, stoically, with Ortega's team.

Last but not least. Point. Call me old fashioned, but I like to think that if a classic remake, you have a reason to do so. It adds a little here, a little out of Lop there network is relevant to modern audiences or add a beautiful new vision to renovate and upgrade the concept of aging. I was secretly hoping that 2011 would be a more Footloose "musical". What a wonderful way to give new life to the movie, I thought, in a post-high school musical, Hairspray post-post-post-Chicago and Todd Sweeney ... where we are open to the idea of ​​someone bursting into song on the screen or very little apparent reason. This is a stage musical Footloose, and is not bad, most everyone knows the songs (Holding for a hero is the "big ol Belter) - we can all have a joyful singalong! Unfortunately Brewer was not much of a genius like me. Instead, Footloose was dragged kicking and screaming, about 80 years and in modern times.

The real changes were so far and few between that I had a strange sense of deja vu in most movies ... but it was basically sexed-up, health and safety'd there, and gave a generous nod to ethnic minorities. Oh, and injected a little bad-ass hip-hop, that stank up the stage trying imitation (which, to be honest, it's not something you really want to be imitated).

The main functions of Ren and Ariel have been lavished on the show Dancing with the Stars professional Julianne Hough, Kenny Wormald, and unknown dancer. The only sensible thing to do with two people with incredible talent of dance to make them dance, but common sense has been missing in this production team. To be fair, Hough did a decent job and a half, offering scenes of abuse with a sparkle and a touch harsh, but unfortunately 2011 Ariel is more of a pouting princess to a rebel wild child, who prefers to whip lid and correction of people parking cars to jump in the middle of the road and rough and fall as one of the boys. If you liked the old Ariel, I hate the new Ariel. Wormald made his way through the entire scene that is not based on his enormous talent of dance, showing about as much charisma as a wooden spoon. Good action for a secondary production, but not exactly Kevin Bacon. Ren McCormack Wormald is unlikely to propel him to fame in the short term.

Beacon of light in this production is quite painful shoulder like Ren Miles Willard Teller comedy. Inside Sewer redneck in overalls and Stetson galore, Teller, to be funny from beginning to end. Modesto, but never overshadowed, and squeeze the last to choose a comic script rather sterile, Teller did for me two hours to put up with bitterness, frustration, Stetson will take away that wonderful man.

Footloose really scraping the bottom of the barrel. It 'a big, heartless money is a film with a huge fan base. If you liked the original, was not affected by this. If you do not like the original, I hate this. If you are nine years and having to sleep too much to get excited about the first 45 minutes, then fall asleep when the Sugar Rush off.

Dennis Quaid and Andie MacDowell bring the Hollywood factor, and turned a decent performance, but in supporting roles, and the relatively affected, it is not much we can do to save this sinking ship.

Dir: Craig Brewer
Starring: Kenny Wormald, Julianne Hough, Dennis Quaid and Andie MacDowell
This is what I wanted from the new version of Footloose:
1. Zac Efron
2. Kenny Ortega
A third point

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Enjoy the terrific title sequence of ''Footloose'' while it lasts, not just for its montage of interesting-looking dancers' feet and red-hot musical accompaniment, but also for its promise of the jumpy, colorful, exciting movie that, unfortunately, is not to follow. Instead, ''Footloose'' is a ''Flashdance'' set in farm country, with tractors supplying the blue-collar chic and the flash mostly missing. The single burning idea behind the movie can be summed up as follows: Don't Knock the Rock.

''Footloose,'' which opens today at Loews State and other theaters, is set in a small, religious Middle Western town where bopping is strictly forbidden. Into this cloistered climate comes Ren (Kevin Bacon), a city kid with a portable cassette player and a punk haircut. Ren falls for a pretty girl and leads a crusade to force the town elders to allow a prom to take place, and that's about all the movie has to it. That, and a cast that's appealing almost in spite of the material and a selection of hits-to-be that enliven the soundtrack immensely.

As directed by Herbert Ross and written by Dean Pitchford, the movie has a Hollywood patina, a none-too-ingenuous simplicity and a tendency to overexplain. We are told, for instance, that people don't trust Ren because he is an outsider and that Ariel (Lori Singer) likes him for precisely that reason. John Lithgow, playing the fuddy-duddy of a minister who is Ariel's father, is given endless opportunities to denounce ''this obscene rock-and-roll music, with its gospel of easy sexuality and relaxed morality.''

On the slightly less literal level, we are made to realize that Ariel is a daredevil when she stands astride both a car and a truck as a second truck approaches in the other lane. Though this should have been enough to make the point, Ariel later, in much the same spirit of adventure, dashes in front of an oncoming train.

Fortunately, Kevin Bacon is a very likable actor, especially when he finally frees himself from the sullenness that is one of Ren's affectations. Mr. Bacon endures a lot here, including a ''Flashdance''-inspired solo dance number (would anyone really prance around a lot of farm equipment in what he believed to be a private moment?) and a scene in which the kids at the drive-in burst spontaneously into musical motion. He's even credible in a scene in which, after he supposedly dances strenuously in an out-of-town club, his white T-shirt is miraculously sweat-free.

Fine points like these (and the question of where Ren is getting his spiky hair trimmed in the conservative little town of Bomont) can be noticed throughout ''Footloose.'' How can you help wonder, after Ren proves his mettle by participating in a ''chicken'' race on tractors and his rival's vehicle tumbles off the road, why nobody in tiny Bomont asks after the missing machinery?

Like the rest of today's video-happy teen-age entertainments, ''Footloose'' doesn't expect to be watched closely or taken seriously. It wants to fill the screen with catchy music and pretty kids, and this it certainly accomplishes. Miss Singer looks lovely, even on the night when she comes home with a black eye (nobody asks about this, either), and she is dynamic to the point of constant darting.

Christopher Penn very nearly steals the movie as Ren's hayseed friend, and the two share a musical scene (to Deniece Williams's ''Let's Hear It for the Boy'') that's almost as sensational as the opening credits. Sarah Jessica Parker, as Ariel's friend, and Dianne Wiest, as her mother, are also impressive, although Miss Wiest's role is so awkwardly introduced that she stops the movie momentarily. ''It's 20 years now I've been a minister's wife,'' she begins, an hour into the story, though she's been virtually invisible before this, and by now her complaints seem very much beside the point. The point, apparently, is to have fun and keep on dancing.

''Footloose,'' which has been rated ''PG'' (''Parental Guidance Suggested''), contains some strong language and sexual innuendoes.

Blue-Collar Chic FOOTLOOSE, directed by Herbert Ross; screenplay and lyrics by Dean Pitchford; director of photography, Ric Waite; choreographer, Lynne Taylor-Corbett; edited by Paul Hirsch; produced by Lewis J. Rachmil and Craig Zadan; released by Paramount Pictures. At Loews State, Broadway and 45th Street; Orpheum, 86th Street, near Third Avenue; 34th Street Showplace, between Second and Third Avenues, and other theaters. Running time: 106 minutes. This film is rated PG. Ren MacCormackKevin Bacon ArielLori Singer Vi MooreDianne Wiest Shaw MooreJohn Lithgow Wendy JoElizabeth Gorcey RustySarah Jessica Parker WillardChristopher Penn ChuckJim Youngs

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While Russia has long been known to treat conditions such as excessive cold, snow and ice, I do not think they are fully prepared to handle a shapeshifter alien menace. Yet this is what comes of that sheet.

Matthijs van Heijningen, Jr., directs from a screenplay by Eric Heisserer and Ronald D. Moore. Starring: Mary Elizabeth Winstead, Joel Edgerton, Jonathan Walker, Adewale Akinnuoye-Agbaje, Dennis Storhøi, Trond Espen Seim, Jørgen Langhelle, Eric Christian Olsen, Stig Henrik Hoff, Jan Gunnar Rois, Kristofer Hivju, Adrian and Jo Haavind.

Find theaters Thing October 14, 2011.

Synopsis

Antarctica: a continent of extraordinary beauty, impressive. It also houses an isolated outpost in a scientific discovery of possibilities becomes a mission of survival if an alien is discovered by an international team of scientists. The change caused accidentally shipwrecked colony, has the ability to transform into a perfect replica of every living being. It may seem that you or I, but inside, it is inhuman.

In the thriller The Thing, paranoia spreads like an epidemic among a group of researchers because they are infected, one by one, by a mystery of another planet. Paleontologist Kate Lloyd (Mary Elizabeth Winstead) has traveled to the stricken region to send in their lives. Join a Norwegian research team has encountered an alien spacecraft buried in the ice, he discovered a body that seems to have disappeared in the crash of millions of years ago. But it is about to awaken. When a simple experiment release from prison abroad frozen, Kate should join the crew of drivers, Carter (Joel Edgerton) to prevent him from killing one by one. And intense in this vast territory, a parasite that can imitate anything it touches oppose man against man in his attempt to survive and prosper.